Jesse Jones is a Dublin-based artist whose practice crosses the media of film, performance and installation. Often working through collaborative structures, she explores how historical instances of communal culture may hold resonance in our current social and political experiences. Jones represented Ireland at the 57th Venice Biennale with the work Tremble Tremble. Recent exhibitions and projects include the major new work In the Shadow of the State, commissioned by Artangel (UK) and Create with funding support from Ireland 2016, and made in collaboration with artist Sarah Browne.
Selected solo exhibitions have included NO MORE FUN AND GAMES, Dublin City Gallery The Hugh Lane (2016); The Other North, Artsonje Centre, Seoul; CCA Londonderry (2013); Sleepwalkers, Hugh Lane Municipal Art Gallery, Dublin (2012); The Struggle against Ourselves, Spike Island, Bristol; REDCAT Los Angeles; The National Sculpture Factory, Cork (2011); The Spectre and the Sphere, Project Arts Centre, Dublin; Blackwood Gallery, University of Toronto (2009). Recent group exhibitions include The Eclipse of an Innocent Eye, National Gallery, Prague (2015); Primal Architecture, IMMA, Dublin; Ghosts, Spies, and Grandmothers, Seoul Media City Biennial, Seoul Museum of Art where she showed The Predicament of Man; Invisible Violence, Museum of Contemporary Art, Belgrade and ARTIUM, Basque country; The Talking Cure, Oakville Galleries Toronto and IMA Brisbane Australia (2014); Salon der Angst, Kunsthalle Wien, Vienna; The Real DMZ Project, Artsonje Centre, Seoul, Korea. Jesse Jones has also produced two major public art projects: The Prosperity Project (2013-14) and 12 Angry Films (2005).